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August Wilson Center - Front & Center » soul music - “Amplifying African American Voices”

Posts Tagged ‘soul music’

Keeping Phyllis Hyman’s Legacy Alive

Posted in General, Review on February 27th, 2010 by Shaunda – Be the first to comment
August Wilson Center fans, welcome another one of our new guest bloggers, Kieashia Edwell. An avid music and arts aficionado, Kieashia was very enthusiastic about reviewing the Center’s “Tribute to Phyllis Hyman,” held February 19-20 for 2 sold-out performances. The following is her very candid perspective of the evening. Please feel free to comment on how you viewed the evening. And check out the video clips of a couple of the awesome and LIVELY performances.

Walking into the August Wilson Center for the Tribute to Phyllis Hyman, I could not help but to notice that the place was alive! Everyone was dressed to the nines, the place was filled with so much energy-I knew then, this was going to be a show to remember. After scooting past a few people who had clearly had more than their fair share of wine and spirits, I made my way to the theatre, found my seat and got comfortable. An old soul myself, I’m familiar with such artists as Gladys Knight and the Pips, The Stylistics and The Temptations. So, I was ready to relax, hear the pianist (and musical director) Alton Merrell play that big black instrument, and groove to the rich sounds of the legendary Phyllis Hyman.

The house lights dimmed and there was a short intro by the emcee, KDKA’s Lynne Hayes-Freeland, who used words like amazing and

August Wilson Center's "Tribute to Phyllis Hyman"

August Wilson Center's "Tribute to Phyllis Hyman"

wonderful to describe what the packed house was about to see. The band took their place as the stage lit up in front of me. In walked Laila Bey, Tamara Faulkner, Teresa Hawthorne and Deborah Moncrief singing an inspiring rendition of Phyllis’ “Just 25 Miles To Anywhere.” They were dressed with the same flare, style and pizzazz of Ms. Hyman herself. At the end of the song, a photo of the late songstress was projected on a large screen to spark our memory, and the ladies exited. The musicians transitioned into perhaps the most familiar of Phyllis Hyman’s jams. “You Know How To Love Me” was performed by Laila Bey, who gave a good vocal performance, but left a little to be desired. Although she possessed a powerful vocal range and looked beautiful, she lacked stage presence–something Phyllis was known for possessing. ¬†After quickly exiting the stage, Ms. Bey made way for Deborah Moncrief. The band then engaged the crowd with the slow and steady “No One Can Love You More.” Mrs. Moncrief belted out a spectacular version of the timeless ballad. With that soulful and strong performance, she made us all remember when we cried along with Phyllis as she pleaded with her love.

We were then taken back to 1978 by Tamara Faulkner and her lively version of “The Answer Is You.” The crowd ooh’d and aah’d as she swept herself across the stage. Her energy was contagious, and her vocal performance was brilliant. She connected well with the audience and even kicked off her shoes to replicate the famous performances Ms. Hyman was known to give. Tamara’s scatting and strong personality kept us enthralled in her presentation. It was then Teresa Hawthorne’s turn to show us her chops. Her version of “Betcha By Golly Wow” was somewhat nasal and frequently pitchy, but still entertaining. It was hard not to tap your foot to the well-known hit. More performances followed including a spectacular cover of “Living Inside Your Love,” “Be Careful” and “When You Get Right Down To It.” We were then treated to yet another moving presentation by Deborah Moncrief with “Living All Alone.” A cover of “Gonna Make Changes” by Tamara Faulkner closed out the first half of the show.

Upon returning from our little intermission, Deborah Moncrief took us back with a true Phyllis Hyman classic - “Old Friend.” It was another breathtaking performance by Mrs. Moncrief and subsequently earned her a well-deserved standing ovation. We then enjoyed Ms. Hawthorne’s third performance of the evening. Her rendition of “As You Are” wowed the audience and had few mistakes in pitch and tone. Laila Bey and Tamara Faulkner returned with their moving presentation of “Somewhere In My Lifetime,” and “Don’t Wanna Change The World” marking the later years of Ms. Hyman’s career. Perhaps the most memorable performance of the evening, Sonya Carter, of the three background singers, sang “I Refuse to Be Lonely” with such passion and strength that she earned a lasting standing ovation from the crowd. She did a near perfect job of capturing the raw emotion and meaning behind the song. I, for one, was amazed, and wondered how they could not use her as the lead for more of the concert’s pieces. The show concluded with the cast joining together for “In Search of My Heart.”

The August Wilson Center chose the perfect production to share with its members. The striking performances featured in this show had me tapping and humming all the way home. These remarkable singers truly captured the bold and sensuous qualities of Phyllis Hyman’s music. Overall, the night was filled with joy, laughter, and sheer wonder at the talent of the fabulous live band. I was enchanted by the booming bass and distinctive moan of the trombone. I think that Phyllis would have been pleased with the passion behind these voices, and the commitment to keeping her legacy alive.

–Kieashia Edwell

If you would like to be a volunteer guest blogger for the August Wilson Center and blog about your experience at the Center’s programs and events, contact the Center’s Manager of Communications & e-Marketing, Treshea N. Wade at 412.338.8734 or twade@AugustWilsonCenter.org

The Legendary, the Late Phyllis Hyman - August Wilson Center’s Tribute

Posted in Events, General, Review on February 18th, 2010 by Shaunda – Be the first to comment


Sensuous and sassy. Bold and brilliant. Earthy and ethereal.Phyllis Hyman

Phyllis Hyman was all these things and more.

As a singer she was nearly unmatched in her ability to convey the depths of the pain and heartache of lost love. Phyllis, Philly-born and Pittsburgh-raised, could tackle pop and jazz standards as well as up-tempo R&B with equal aplomb. Yet it was the vulnerability of her ballads that most endeared her to fans, who took the journey with her to those lonely, dark places of which she sang.

The August Wilson Center is paying tribute to the late singer Friday, February 19 and Saturday, February 20 by producing a full concert of Phyllis Hyman tunes: 16 songs, 7 voices selected from an open audition and a 7-piece band led by the awesome Alton Merrell. Friday’s show sold out in just a couple of weeks–here’s a tip:

Get your tickets now for Saturday’s show!

Shay Wafer, the Center’s Vice President of Programs, and director for this event, took a few moments to talk with KQV’s Elaine Effort about the Tribute to Phyllis Hyman.

The interview is in three parts. Take a look!

Also–Don’t miss out on this free educational event!

African American Mental Health Forum
Saturday, February 20, 2 to 4 pm
August Wilson Center Education Center, Free

African Americans are at high risk for mental illness, but less likely to receive mental health services, diagnosis and treatment, says a 2002 Surgeon General’s report. This panel discussion explores the history of mental health issues in the African American community and provides steps you can take to assist others in their well-being. Panelists include: Dr. Charma Dudley, Clinical Director - Family Resources, Dr. Daniel Hall, Dr. Nelson Harris, Jeannie Hyman (sister of Phyllis Hyman) and Marguerita Matthew. For information, call 412.258.2700.

One-on-One with Lalah Hathaway

Posted in Events, General on September 10th, 2009 by Shaunda – 3 Comments

Lalah Hathaway

Lalah Hathaway


LISTEN NOW: One-on-One w/Lalah Hathaway

Lalah Hathaway is in the building.

Well, not literally, but she is in Pittsburgh and, from what I hear, is very excited about being the first performer in the August Wilson Center’s Inaugural Season. The energy level has been through the roof here in the Center’s offices…chatter is high on our Twitter, Facebook and MySpace pages–everyone is amp’d about Lalah.

Not that I needed a reason to, but Lalah Hathaway has been on heavy rotation on my iTunes. What is it about Lalah that makes people from various walks of life flock to her like bees to honey? When I told all of my musician and non-musician friends alike that the August Wilson Center was bringing Lalah into Pittsburgh, all of them had the same reaction–and it usually included screaming.

I asked one of my friends in particular, why she had such an appreciation for Lalah. Our conversation:

Me: Hey, I know you bought your ticket for Lalah, why do you like her?

Friend: WHY? WHY? I mean, there are so many answers to that. I mean, it’s not rocket science–she can SING!

Me: That’s it? That’s why you paid $45 to sit two inches from the stage to hear Lalah sing?

Friend: Lalah is set apart from the masses. Her music and sound are soulful, and everybody doesn’t have that. Most people sing just because they have talent. Lalah’s voice comes from a place of authentic soul.

My friend is correct. Lalah’s refreshing tone and vocal acrobatics are simply amazing, impeccably crisp and will leave you jaw-dropped for days. What’s bananas is that Lalah doesn’t even have to do a lot vocally to leave you memorized. I remember when her latest project Self Portrait first came out how my friends and I would listen to it intently, always turning up the volume at the end of every song because every Lalah fan knows that she tends to give us little vocal treats at the end of her songs. Man we wore that CD out. lol. Instrumentation — off the charts. Background singers (in her concerts) — will just have you shaking your head (do a Lalah search on YouTube to see what I mean). Her lyrics reach deep into your heart and connect with every issue in your life.

Lalah is authentic soul. Funny…..remind you of anybody else with the same last name?

PURCHASE TICKETS NOW

Keepin’ it real,

Treshea

P.S. If you all see a woman standing and waving at the concert like that old lady from It’s Showtime at the Apollo—that’s just my friend–she means no harm, she just loves Lalah. Can you blame her?